A D R I E N N E  J A C O B S O N  O L I V E R


Adrienne Jacobson Oliver is an artist-researcher living and working on Monacan land at the foot of the Blue Ridge Mountains in the American South. 

Through speculative methodologies blending poetry, performance, and visual art, her creative practice addresses how B/blackness articulates itself in vernacular, sensual, and sonic forms, exploring resonance with/in blackened histories. Adrienne’s writing orchestrates 'Sankofic attunement'—a critically erotic composition of B/black maternality in the afterlives of reproductive enslavement. 

Having trained at the American Academy of Dramatic Arts before studying film and media theory at the University of Virginia, she holds an MFA in Studio Art from the School of the Art Institute of Chicago. Adrienne was a 2024-25 Helena Rubenstein Critical Studies Fellow in the Whitney Museum’s Independent Study Program and the inaugural Director of New Works at Live Arts Theater in Charlottesville, Virginia.

Her work was previously supported by PEN America, Tin House, Burnaway, and the National Endowment for the Arts and has appeared in The Plentitudes, Apogee Journal, Puerto del Sol, and the Virginia Film Festival. 

b.1984
Black American
she/her
CV

Education
Whitney Independent Study Program Helena Rubenstein Critical Studies Fellow
2024/25

School of the Art Institute of Chicago
MFA, Interdisciplinary Studies
2024

Excelsior College 
BS, Communication Studies
2010

University of Virginia
Community Scholar, Studio Art and Media Studies
2010

American Academy of Dramatic Arts AA, Performance
2006




Artistic & Cultural Leadership





Educational & Scholarly Leadership








































Additional Professional Experience
Live Arts Theatre
Director of New Works
2022-present

NOW NOW 
Co-Founder + Lead Teacher-Artist
2020-2022

Albemarle County Schools Charlottesville, Virginia 

Instructional Specialist and Coach [2018-present]

Lead Curriculum Designer, US History/African American Studies, Concurrent [2020-22]

2020-22

Member, Steering Committee, “Reframing the Narrative”, Albemarle County Public Schools, with support from Charlottesville Area Community Fund, in partnership with James Madison’s Montpelier

Instructional Coach Liaison, Social Studies, Division PLC, Albemarle County

2019

Curriculum Designer, Antiracism Committee, Albemarle County Public Schools

2018

Member, Antiracism Committee, Albemarle County Public Schools

2016-18

Diversity Resource Teacher, Albemarle County Public Schools

Lead, Equity Team, Lakeside Middle School, Albemarle County Public Schools

2010-16

Independent Production Management and Arts Administration

Production Manager, PRODJECT, New York, NY

Senior Production Coordinator, KCD Productions, New York, NY

Operations Manager, New Orleans Film Foundation, New Orleans, LA

Hospitality Coordinator, New Orleans Film Festival, New Orleans, LA

Production Office Manager, Maven Pictures + Olive Productions, New York

Production Coordinator, Live Arts Gala, Live Arts Theater, Charlottesville

Venue Manager, American High School Theatre Festival, WorldStrides, Edinburgh, Scotland




Artistic & Scholarly Engagements2024-25 Reader: PEN America Emerging Voices Fellowship, Perugia Press Prize

2023-24 Participant
Graduate Independent Study
School of the Art Institute of Chicago

2023

Judge, Teeny Tiny Trifecta 6, Second Street Gallery, Charlottesville, Va

Guest Lecturer, “Forging Theatre and Community,” University of Virginia, ARTH2559: Performing Acts of Justice and Equity;

Reader: The Plentitudes, Perugia Press Prize

2022

Speaker, “Intimate Labors: Witness at Work,” Performative Lecture, DisruptHR, Charlottesville, Virginia

Reader: The Plentitudes, PEN America EV Fellowship, Perugia Press Prize

2021

Instructor, Create & Critique, Second Street Gallery, “On the Poetics of Black Womanhood & The Making of Beloved,” Performative  Lecture, McGuffey Art Center, Charlottesville, Virginia

2019

Advisor, Mere Distinction of Color Digital! Creation Team, James Madison’s Montpelier

Judge, Invisible C’ville Prize, Bushman-Dreyfus Architects, Charlottesville, Va




Artistic & Academic Foci
Black “maternal” rhetoric, American Southern surrealist jazz logic/s, and Afrofabulative hybridity

Critical theory, cultural and performance studies, and artistic/practice-based research methodologies 

Media/eco-aesthetics, autopoiesis, and other grammars of fugitivity




Selected Publications
































Excerpted Public Performative Lecture Portfolio

2024 

“The Architecture of Memory: An Articularity of Sankofic Attunement & other Fabulative Aesthetics in a Blackened Void,” MFA Thesis, School of the Art Institute of Chicago

2023

Acknowledgments & Projections: Sweet Thing, No. 76, Apogee Journal, Issue 18

Wake, et al., Burnaway Magazine

2022

Arrangement, The Plentitudes

2021

Archive of Treasured Baggage, The Night Heron Barks, (Nominated: “Best of the Net 2021”)

2019

Four Women, Dear Lois Magazine

Child of Promise, Spark + Echo Arts
Three Poems, Puerto del Sol Magazine

2023

“The Uses of the Erotic”: Considering Imperative Aliveness with Audre Lorde Self-Portraiture, and Carrie Mae Weems’ The Kitchen Table Series

Arrivals & Departures: Making Kin in the Capitalocene

2022

Shuri Keeps the Flame: Righteous Black Sisterly Rage & the Burial of Kings

2021

“Matriarchy as Creative Force,” Creative Mornings, Charlottesville, Va

Duplex: Jericho Brown Knows Everything is Everything

Sculptural Love Languages in a Key Domestic

2020

Cassie Louise Lightfoot, Eloise Greenfield, and the People Who Flew: Fugitive 

Poetics of Childhood




Awards 2025

Fellow, Periplus Collective, Mentor: Rajiv Mohabir

Nominee, AICAD Teaching Fellowship

2024-25

Helena Rubenstein Fellow, Critical Studies, Whitney Museum Independent Study Program, New York, NY

Semi-Finalist, Creative Capital Awards, Visual Arts

2023

Scholar, Tin House Winter Workshop; Instructor: Xan Forest Phillips

Fellow, Burnaway Art Writing Incubator, Burnaway, “On Critical Movements”

Fellow, Unsettling Grounds Project, The Bridge Progressive Arts Institute

2022

Finalist: New City Arts Research Fellowship, Charlottesville, Va

2021

Fellow, Emerging Voices, Poetry, PEN America

Artist-in-Residence, McGuffey Art Center




Performances, Installations, & Exhibitions
2024

Prologue [I Shall Become a Collector of Myself and Put Meat on My Soul], Group Exhibit, Installation, Low-Residency MFA Exhibition, SAIC Galleries, Chicago

practice & Archive of Treasured Baggage, Group Exhibit, Single-Channel Film Installation, “Initiations,” Sonja Hayes Stone Center for Black Culture and History, University of North Carolina Chapel Hill

2023

Beloved, Group Exhibit, Installed Sound Performance, “What Did You Expect?” SAIC Galleries, School of the Art Institute of Chicago

Founding Mothers, Collaborative Performance, Public work + AR interface for the “Unsettling Grounds” Project, Sponsored by the NEA and The Bridge Progressive Arts Institute in partnership with Visible Records, Charlottesville, Virginia

Prologue, Solo Exhibit, Installed Performance for Second Year Review Showcase, MacLean Center, School of the Art Institute of Chicago

Monument No. I, Group Exhibit, Installed Performance, SAIC Galleries, School of the Art Institute of Chicago

a tiny history, Group Screening, SAIC Galleries, School of the Art Institue of Chicago

2022

Practice, Solo Screening, SAIC Galleries, School of the Art Institute of Chicago

2021

On God, Collaborative Site-Specific Performance, Labyrinth, Little Scaly Mountain, Highlands, Blue Ridge Mountains, North Carolina

Beloved, Group Exhibit, Installed Sound Performance, “Water: The Agony and The Ecstasy of the Black Experience”, McGuffey Art Center, Charlottesville, Virginia; Curated by: Charlottesville Black Arts Collective    


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copyright © 2025 | Adrienne Oliver
additional site photography by Rachel Larsen Weaver with studio views by José de Sancristobal.